One thing I learned when I became a parent, was that the baby is the boss regardless of how much control I pretend I have.  The same is true for newborn photography.  If the baby doesn’t want to go to sleep for posing after you’ve tried everything, take some lifestyle shots & keep shooting.  Swaddle tight and try to get some eye contact.  Get images of mommy rocking the baby, be open and flexible – the session doesn’t always go as planned and that might just be the best thing that happens to you.
Everything you've heard is true: Your wedding day comes and goes so quickly. That's why preparation is key. Once you nail down your photographer (do this 9-11 months in advance!),  it's time to start thinking about your shot list. While your photographer will guide you on the moments they plan on capturing, it's important to know exactly what you want too. After all, you'll want to keep these memories intact with the perfect photo album. Get ready for your close up by taking a look at these pretty picture ideas you might want to include.
DO use the best equipment possible. If necessary, rent or borrow a DSLR with great low-light capability, plus a fast f/2.8 zoom—either a 24–70mm, 70–200mm, or both. A reliable shoe-mount flash is also important, with wired or wireless provision for using it off-camera in TTL mode. Power your flash with rechargeable NiMH batteries, not lower-capacity and slow-recycling alkalines. And bring a back-up camera and flash.
Not really! But if you are shooting at a gorgeous venue that’s the reason the bride and groom have booked it. Allow a bit of time to wander around the grounds and capture the venue from various angles. These photos can also be used to practice shots and imagine the couple within them. If you do a good job the venue might want to hire you to take advertising shots of their venue. Equally, they might just recommend you to potential couples. You never know!

These close-up “detail” shots are not only adorable but they are great accompanying images for albums and accordion books.  Because of the sensitive focus on a macro lens, the best time to get these images is when the baby is very still (in their deepest sleep).  As shown with the newborn workshop where you get to shadow me on an actual on-location shoot, when I notice the baby is deep in dreamland, I’ll just stop whatever I’m doing and I’ll pull out my macro for 10 minutes and get all the shots that I need.
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There are a few bonuses to using accessories well (as well as layers). One is that changing them up a bit throughout the session can give you multiple looks without having to do many wardrobe changes. They can also be something that the subjects can interact with. A sassy little tip of the hat, holding the ends of a scarf while running and letting it billow behind you, grabbing the lapels of a husbands jacket while pulling him close for a kiss – all these little gestures and ways to interact (and become more comfortable in front of the camera) can be made possible with styling choices. Many of my sessions will feature items used outside their intended use or subject. My girls are often seen in mommy’s hats or scarves (scarves can be used in different ways like wrapped around their shoulders, as a hair piece, etc) and they love to wear my costume jewelry.
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