Posed/studio sessions – Typically must be done within the first 2 weeks of birth when the baby is very sleepy and “mold-able”. The focus in this type of session is on shots of the baby looking perfect, usually in blankets, wraps, hats, & headbands. The session can last up to 4 hours with feeding, potty breaks, and posing. Editing this type of session also takes quite a bit of time as each image needs to go through Photoshop individually to get a polished end result.
Frank is a creative and ambitious artist with a passion for photography. Born and raised in Czechoslovakia, he developed a love and enthusiasm of his art in his youth. In 2004 Frank became a graphic designer, at the same time he started his professional career as a wedding and fine art photographer. Several years and hundreds of wedding and portrait sessions later, he created Maui Professional Photography dedicated to providing award winning artistry combined with outstanding client service. With a traditional yet contemporary photo journalistic style, Frank will capture those fleeting magical moments of your wedding or special event and turn them into treasured memories. Frank is a member of PPA (Professional Photographers of America), Nikon Professional Services and his name appears on the list of preferred professional photographers at the finest hotels & resorts and at other photo related businesses. Frank has also continued to expand his knowledge, learning new techniques at workshops and becoming familiar with latest professional equipment. When not working, Frank can be found exploring the beauty of the islands camera in hand.
Also, check if there's a second shooter included in the contract, and if there's not, ask about the possibility. It's likely the second shooter can be confirmed later on, but the main benefit to having two shooters is, of course, you get twice as much coverage. For example, during your formal photo session, one photographer can capture the formal photos, while the second one can get behind-the-scenes, photojournalistic photos, like your guests mingling. If you're having a larger wedding (250 guests or more), you might even want to ask about having three shooters so your photography team can be sure to capture the event from all angles.
See #1 first of all. Then look at #6. Being a photographer means that sometimes you have to also become a comedian, or a clown. Knowing the right thing to say or do to make people smile is mostly experience. Sometimes you’ll get tough adults too. The dad in the photo above by the brick wall pretty much has the same expression all the time. I’ve known this family and photographed them for 13 years, they’re friends too. So I know I can bug him a little bit or get out the ducky to have some fun at his expense.
If you are shooting under a large tree you shouldn't be getting dark eyes. I look for exactly that type of location to put people under a large branch. When you block the overhead light it IS darker for sure but the direction of light changes to coming from the front instead of overhead, so you don't get dark eyes. You may just need more exposure overall but the quality of light should be there.
Newborn photography is our first love and passion. We love nothing more than to create timeless photos of what love has created. The newborn stage is such a precious and fleeting time in yours and your little one’s lives and to be a part of it is truly a privilege. Tiny details only stay tiny for a little while. That is why newborn photography requires a special kind of heart, one that can appreciate how special these moments are and understand the importance of treasuring them down to the last dimple.
You should also meet them in person. Some important questions to ask in a face-to-face interview may include: how would they describe their wedding photography style? (i.e. photojournalistic, formal, documentary, or creative); will they be the one photographing your wedding or do they have an assistant?; will both people be taking pictures during the day?; do they have back up plan in case of an emergency?; are you comfortable with their emergency plan?; what wedding photography packages do they have?; do they shoot in color or black & white? You should ask if they have a generic schedule for each wedding (portraits before the ceremony or after), and if they are they flexible and open to suggestions. You should even ask to see a contract.
Hey Sherry! Thanks for stopping by & saying hello! I am not familiar with those editing websites (although I did just visit the homepage to check it out)…I CAN say however though, you should forget about the high price of photoshop and get yourself a copy of Adobe Lightroom 5. Lightroom is an amazing program for not only editing but easy storage/file/folder handling of photos and most important it is very easy to use. In fact, I have quite a few tutorials on our YouTube channel. It is “only” $150 or so, and I gotta say, whether someone is a pro or just hobbyist, that $150 will be among the best money you’ll spend on your photos… head over to the adobe site and try it for a free 30 day trial and see for yourself if you’ll like it or not 🙂
This is when communication with your client before the actual wedding dates will prove to be of the most importance. Don't go into a wedding day blindly. Some people can go into a portrait session blindly and do fine. A wedding is completely different as you need to know what's happening and when it's happening. The last thing you want to do is miss a shot due to not being told about it. On the other hand, you also need to be prepared for anything. Being able to be a flexible photographer and being completely lost are two different things. This list is just a template, so change your list based on the given situation.
“Those early days and weeks go by so fast and are such a blur, so capturing them in newborn photos was very important to us. We loved Kate’s work so much that we ended up purchasing the entire gallery and are looking forward to another session with her this spring. My husband has never been a fan of photo sessions, but even he couldn’t stop raving about how much he loved the photos.”
Develop your photography skills. There is no “right way” or "wrong way" to become a better photographer. Some people take a class or get a college art degree with a photography focus. Others believe that college is a waste of time for becoming a photographer. You may find that you can teach yourself about photography from books and experimentation, or you may want to learn from other professionals. Whatever you decide to choose, if you work for it you can achieve it.
When working with children, photography isn’t always easy - any parent with a camera phone knows that! Kids love to move around, pull faces and perform, but we encourage that! The more at home your child feels, the better the pictures. Nousha are experts and have years of experience producing stunning black and white portraits. Every child comes out of the photoshoot excited, happy and wanting to do it again!
For good portraits you must turn off your flash. Your camera’s pop-up flash does more harm than good in most photography situations, so make sure you aren’t using it when you try to photograph your newborn. Instead, find a good source of natural light, like a large window or glass door, and set up close to it. If you have enough light coming in you won’t need either your flash or your overhead lights (which are also not a good plan when taking portraits). If it’s warm enough you can even set up in your garage with the door up to allow lots of light in. Start paying attention to the light in the room in yourself with the largest window – notice when the room is bright, but you can’t see the shadow of the window on the floor in front of it (see this post for more explanation of this). That’s the time of day when you want to plan your newborn photo shoot.
This is more of a personal choice, but I tend to choose clothing that is timeless, perhaps a little vintage in style. Whatever your style is, make sure your choices won’t look terribly dated years from now (or months in the case of some quickly passing trends). I personally love to use softer or neutral tones (with a color pop here and there) and classic shapes, then add interest with accessories, layers and lots of interesting textures. I also happen to love bright and colorful as long as it’s not obnoxious or distracting from the subject’s personality and face. Of course, this is a personal choice and many families will choose to go all out in the latest trends, thinking of their clothing choices as a sort of time stamp in their images.