Perhaps now you’re wondering why I even bother posing newborns at all if I want them to look natural. A couple of reasons: 1) Newborns have very little control over their limbs, so they tend to flail about. Left to their own devices, their arms and hands can look very contorted. 2) Most newborns burrow their heads into whatever is nearest them, meaning they will generally hide their faces in any blanket or pillow you lay them down on. 3) Newborn’s legs are long and skinny, and they just don’t look good in photographs when they are sticking straight out. Tucking their legs up underneath them makes for a much tidier looker photo.
There is no other destination in the world quite like New York City: bright lights, bustling crowds, endless corridors of sky-high buildings. Visitors flock to this urban jungle for many reasons – whether it be for a family holiday, a surprise proposal or a spontaneous NYC elopement. When you make the trip to such an amazing place, you want to be able to treasure the moment and remember your time there for many more years to come. Hiring a specialised elopement & wedding photographer is a far more impressive way to capture the moment than fuzzy selfies. #stoptheselfies!
Firstly timing your shots is important. Babies don’t move much but they subtly change their position and expressions in ways that can make or break a photo. I’ve had my camera set in continuous shooting mode since Xavier was born because I find that shooting a single frame often misses ‘the moment’. I’ve also ended up with some wonderful sequences of shots by shooting off three or four shots in a row.
var lazyload_inner_js = {"googletagmanager":"\n console.log('[GTM] Load from client');\n window.dataLayer = window.dataLayer || [];\n dataLayer.push(window.gtmData.user);\n (function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start':\n new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0],\n j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src=\n 'https:\/\/www.googletagmanager.com\/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f);\n })(window,document,'script','dataLayer','GTM-57HFH9');\n ;\n"};
An hour might not seem like a lot, but depending on your schedule you should be finishing getting ready around this time. If the bridesmaids have robes, it’s fun to do a champagne toast now. Many brides request that we capture the moment of them getting into their dress while others ask us to come in after they are dressed. Either way is fine with us as this is just a matter of personal taste. If MOB is around, it’s nice to have them help you get into the gown along with your bridesmaids.
There are three factors to consider in choosing a lens. Number one is the quality. Better crafted (and typically more expensive) lenses will provide you with a clear image. Remember that it's always better to invest in better lenses as opposed to buying an expensive body. Number two is the aperture. Different lenses will allow you to stop up to larger apertures (lower #'s). If you are in low light or want a shallower depth of field, you may choose a lens with a wider maximum aperture. Thirdly, focal length arguably has the greatest effect. A longer focal length (higher #) will compress the foreground and background more.This can be useful for portraits as it makes a subject look more natural.
Most of my clients opt out of the above and go with adding their own personal touches to the engagement session. This is also a perfectly distracting maneuver. Often times, clients feel awkward in front of the camera and don’t know what to do. Accessorizing the shoot and adding some props will shift their attention from you to the objects around them. If the props hold sentimental value to your clients, it will be better for you.

are beautiful and create interest in photos. I absolutely love using multiple textures and layers, especially important when working with a color palette a bit on the neutral or softer side (with a subtle color pop here or there). When I say textures one of the ways to achieve this is with different clothing materials and accents – tweed, crochet and embroidery details, lace, hand knit items, smocking, ribbons, ruffles, etc. Also, having different layers of clothing and accessories can add another dimension to the overall texture of the image. These details and added depth are especially important in black and white images. And it can be done beautifully with colorful brights or just pops of color here and there as well. Follow your own vision and style, also looking to what fits your subjects best.

×