The main thing you want to look for in our test results is low-light picture quality. On the whole, a flash isn’t going to produce the best-quality photos unless you’ve got a premium one attached to the hot shoe. The highest-scoring cameras will be able to produce great photos with no flash in low light, for example when you’re in a restaurant or bar, without image noise and compromised picture quality.
#2 – it allows you to get your eye away from the camera so you can actually make eye contact with your subjects. They are very real people and they feel even more uncomfortable staring straight into your lens than they do looking at you. You can make gestures to get kids attention, or make faces. But you’ll get way better expressions by interacting with them than you will looking through the viewfinder. Try it!
Once you have the baby posed, step back and look at the whole picture for a few minutes, checking for details that need fixing. If her hand is visible, make sure you can see all her fingers are visible – sometimes one or two get tucked into a fist and then if the photo it looks like the baby only has three fingers. Also, be sure baby’s eyes are closed completely – in the second photo above the baby’s eyes are not quite closed. A simple stroke down the bridge of her nose will cause her to close her eyes all the way. Make sure the headband is positioned how you’d like, and the background blanket is free of wrinkles, etc. Above all, make sure the baby looks comfortable and peaceful – if not, try again.
Scott Peek Photography is a photography studio in Plano, Texas that specialize in family, child, high school senior, and commercial portraiture. This studio also conducts event photography for corporations, companies, and non-profit organizations hosting parties, conferences, and meetings. Since 2009, they have been a proud member of the Professional Photographers of America and the Texas Professional Photographers Association, Inc. Scott Peek Photography was recognized as the Dallas A List's Best Portrait Photographer.
Now that you and your BAE are engaged, it’s time to commemorate the momentous occasion with a romantic photoshoot! But where do you start? There are so many cheesy couples' photos and countless run-of-the-mill shots that it can be a challenge to snap a photo that is truly your own. But thankfully, you don't have to rely on those predictable poses and overdone locations. There are a handful of things you can do to make sure your photos turn out perfectly one-of-a-kind and feel right for you and your parter.
One of my biggest mistakes, when I was starting out, was that I brought all my props/wraps/blankets/headbands to every single session. When I got set up, I would have a mini panic attack because I had no idea where I should start. Now I plan 3-4 different setups (based on the client’s preferences and expectations) and that’s all. I am often inspired by something the client owns as well, such as a blanket knitted by Grandma or something else that’s special to mom and dad, so it is not uncommon for me to not even use everything I bring.
Light can either make or break a photo. The best light is natural light and the best natural light comes just after sunrise or just before sunset. Bright midday light will either produce shadows on your baby’s face or cause him to close his eyes or squint – neither result is what we want. If you’re taking photos throughout the day, try moving your baby under the shade of a tree or umbrella. Alternatively, if you’re taking photos indoors, try moving towards a window to utilize the light from outside. Note that you shouldn’t have the light come from behind your baby or you’ll end up with a silhouette. The best way to learn is by experimenting. Try different lighting techniques to discover what works best for you. When you’re indoors and you don’t have the option of using outside light – try taking advantage of nearby lamps. Explore taking photos with your flash turned off to see what results you can accomplish.
Some wedding photographers have an office or studio which can double as a retail photography studio. In bigger cities, one might find dedicated wedding photography studios that only cover weddings and may have large studios equipped with make-up, hair, and a selection of gowns ready for the bride to wear. Other wedding photographers may work from a home studio or from a coworking space, preferring to photograph clients on-location. These home based photographers may hire additional photographers to assist them if the wedding program is large or otherwise unmanageable by a single photographer.