Darlene Hildebrandt is an educator who teaches aspiring amateurs and hobbyists how to improve their skills through free articles on her website Digital Photo Mentor, online photography classes, and travel tours to exotic places like Peru, Thailand, India, Cuba, Morocco, Bhutan, Vietnam and more. To help you improve and learn she has two email mini-courses. Sign up for her free beginner OR portrait photography email mini-course here. Or get both, no charge!
Sometimes I find an interesting subject, but just not an interesting place to photograph it from. If you look at professional photos, they are very often taken from non-obvious spots. For example, a photo of a CEO will be photographed from down low, looking up at the person to make him or her look more powerful. Or, in the case of photographing a city, we often want to get to a very high perspective to shoot down and see the whole city.
Visit the locations of the different places that you’ll be shooting before the big day. While I’m sure most Pros don’t do this – I find it really helpful to know where we’re going, have an idea of a few positions for shots and to know how the light might come into play. On one or two weddings I even visited locations with the couples and took a few test shots (these made nice ‘engagement photos’).
If you are doing the session in the client’s home, posed newborn sessions require nearly the same amount of prep as a wedding. You need quite a bit of “stuff” and it is easy to forget something so I make sure to pack the night before and use a checklist so I don’t forget anything (I’m a mom with a very limited memory). To make your life a bit easier, I’ve made a print ready checklist you can use which is included in the newborn photography toolkit – one of the FREE limited time bonuses included in our online Newborn Photography Workshop.
Laura Babb of Babb Photo is an award-winning photographer. She is based between Bath and London but photographs weddings all over the UK and abroad. Her approach is documentary but at the same time playful and profoundly real. She loves to shoot creatively in an attempt to make each shoot truly unique. Laura’s top wedding photography tips are all about light and this one stood out to us from her article ‘The Importance of Light and Planning Your Photography Around It’ she says –
Ask your photographer to capture your paper suite alongside a mix of meaningful big-day objects, like your wedding rings, day-of stationery (like ceremony programs and vow transcripts!), and any family heirlooms, advises Shannon Moffit. Fill out negative space with ribbons in shades that reference your color palette and flowers featured in your bridal bouquet. The result? A photograph that serves an entryway to your big day—and one that'll make the ultimate album opener.
In addition to this tutorial, if you want all the info you need in one simple package with lifetime access, check out our Newborn Photography Workshop for the On-Location Photographer which Cole and I have spent months putting together all the necessary knowledge & tools to be adequately prepared for the lovely world of photographing newborns. On sale for a limited time and all workshop participants also will get Cole’s Essential Newborn Lightroom Collection Presets, the Pricing & Positioning Yourself for Success pricing handbook, exclusive discounts & a whole lot more. Click below to see the workshop details.
Your clients need to have a clear understanding of what the newborn photoshoot day is going to look like. An email template is probably your best bet. Prepare a template outlining the usual itinerary and what will be included (what you’re providing or bringing), along with what your clients should provide or bring, including any newborn photography props they want to try out.
Start your search by reading reviews from recent newlyweds and browsing local listings, like the ones on The Knot Marketplace. Carefully review potential photographers' websites and blogs to check out photos of other weddings they've shot, which will give you an idea of their style. How do they capture the moments important to you, like a mother bustling her daughter's gown or an emotional first look? The design of the website may also have clues about the photographer's personality and sensibility. Check out their Facebook, Instagram and Twitter pages too, if possible. Is the feedback from clients positive? How does the photographer respond? How do they interact with their Instagram followers, do they seem friendly and personable? You get the idea.
You want to make sure your photographer is able to correctly expose an image. If an image is overexposed, you won’t be able to make out the details in the highlights. When printing an overexposed image, the blown parts will print white. An underexposed image will be dark and have more grain than a properly exposed image. Below is an example of an overexposed and underexposed image compared to the correctly exposed image.
If you're not sure where you'd like to shoot, don't worry! I'd be glad to offer up some suggestions. If you're looking for a Manhattan or Brooklyn location, I have a great list of New York area spaces that are wonderful for engagement sessions. If you're trying to choose a Philadelphia spot for your engagement pictures, I also have a great list for you! If you are looking to have your portraits done in New Jersey, or anywhere other than New York or Philly, just drop me an email and we can talk. I travel often for engagement sessions, and would love to hear about your plans.
Posed shoots can happen either in a studio or on location (usually the client’s house). A good posed newborn photoshoot should happen when the infant is still just a few weeks old because they are still pretty sleepy a lot of the time. They are generally photographed with a few well-placed newborn photography props, like a “one-month old!” sign or a cozy blanket (we’ll get into more detail on those later).
“When shooting a wedding I try to keep my set up really simple. I find that the more toys to play around with takes time away from the thing I am most interested in documenting: the people. Generally, I roll with 2 DSLR bodies, 2 lenses (Canon 50mm f/1.2L/Canon, 24mm f/1.4L) and a Pelican case full of cards in my pocket. I have other gear there on the day just in case but that’s pretty much it.”
Inconsistent exposures create more work in post processing, as you have to even them all out. It also can cause a slight color shift, increase noise (if underexposed) and other undesirable things. To keep your exposures consistent through the whole shoot, use Manual Mode. Just remember that each time you change the pose, location, etc, you need to check exposure again. I just fire off a quick test shot, review the histogram, adjust if necessary and continue.
We know planning—photography included—can feel overwhelming. But stress not. We hold your hand every step of the way, answering your questions about wedding photography, style and timing, so you feel confident going into your big day. Count on us to coordinate your wedding photography and video needs, so you can focus on deciding every last event detail, from vows to cake. That’s the fun stuff, after all.
In this digital age, clients love having their photographs in digital format. You'll notice not many photographers sell their digitals, let alone the entire gallery and when they do, you’ll notice that they are priced a lot higher than fine art prints. Reason being, digital files are amongst the highest priced items to photographers, because once I give you the files, I lose any future sale from your session. For this reason, I need to ensure a reasonable profit is made. If you tell me you’re being charged $150 for both the session and digitals, chances are that the photographer is not operating a legal business and likely doesn't have the best equipment/props or much experience in the field. At that price, alongside all the many business expenses, it’s impossible to make profit at that price point. So you say you don’t have the money, but investing in photography is a worthwhile decision—saving up is the ideal way to go about it. Whether it’s for my newborn photography, maternity photography, or other services, you'll be making a quality investment in something that’s worth the effort, time, and money for that reason most clients tend to book months in advance to help save for their custom Newborn Photography session.
One more piece of advice that someone gave me on my own wedding day. ‘Things will Go Wrong – But They Can be the Best Parts of the Day’. In every wedding that I’ve participated in something tends to go wrong with the day. The best man can’t find the ring, the rain pours down just as the ceremony ends, the groom forgets to do up his fly, the flower girl decides to sit down in the middle of the aisle or the bride can’t remember her vows….
The other option for remotes is a physical radio transmitter that you plug into your camera (the receiver plugs into the camera, and you hold the remote transmitter). After trying several different wireless remotes from eBay that all broke, I finally purchased the Vello ShutterBoss. This remote is well built, and has been super reliable. One of the things I really like about it is that the cable that plugs from the wireless receiver into your camera can be swapped out depending on what brand of camera you’re using. So you don’t need to buy a new wireless remote for every different camera system you have (just the cable). Also if the battery dies in the receiver, you can plug the cable directly into the remote transmitter. The Vello ShutterBoss is a bit on the pricey side for a remote ($99), but it will probably be the last wireless remote you ever need to buy.
People choose us not only because of our long history of eye-catching, heartwarming photography, but also because the photographers of JayLynn Studios strive to give you the results you want. It’s your style, your theme, and your family. Our job is to capture and ensure that we get the whole picture; by that, we mean the setting, the emotions, the background, and the importance of the occasion.
Sometimes this can be out of your control. However, you should aim to deliver photos to the standard to which you advertised when the couple booked. If you don’t display heart-shaped group shots on your portfolio the couple shouldn’t expect you to do this. What they should expect to receive is exactly what you have laid out in your contract unless otherwise discussed.
Talk to each other: (Duh, right?) DON'T match. But DO coordinate. Wearing clothes that are the same level of dressiness is really as matchy as it needs to be. You guys already look like a family. Don't hamper each person's individuality by forcing the matching. Let's be honest: You guys always look awesome together, you don't need special matching outfits for that.
Our signature portrait lends itself to this entirely. No photo shoot is complete without a photograph of your child at their most open and genuine. They’re not performing, not pulling the dreaded Instagram-worthy expressions; it’s just them. They might initially seem severe, but that’s because you’re used to their constantly shifting emotions. It’s in this portrait that you can pause and see them in a new way.
I am an award-winning, internationally published photographer. My photos have appeared in Dallas Modern Luxury, D Magazine, Time Out New York, La Gazetta dell Sport Rome, and Time Out London. My studio, conveniently located in central Dallas, offers a comfortable environment for creating my one-of-a-kind images using both natural and studio lighting. I also shoot on location in your home or at an attractive outdoor setting of your choice.
If a client chose you as their wedding photographer, they put tremendous trust in your artistic vision and abilities to deliver work which they will enjoy for many years to come. If engagement sessions are something that you do not currently offer, I suggest you to look into offering them soon. Educating your client on the importance of an engagement session might prove crucial for your business and your relationship with clients. It is also a great opportunity for you to show your client what you can do without being in a time crunch.
Safety and comfort are the most important things when it comes to newborn twin photography sessions here in Austin. We treat each and every baby as if they were our own, every single day. You can rest assured that your precious new twins are in the safe hands of one of the best twin photographers in Austin. Check out Hillarry’s article, 4 S’s for Soothing a Fussy Baby, for a look into how she approaches soothing babies for shoots.
You should also meet them in person. Some important questions to ask in a face-to-face interview may include: how would they describe their wedding photography style? (i.e. photojournalistic, formal, documentary, or creative); will they be the one photographing your wedding or do they have an assistant?; will both people be taking pictures during the day?; do they have back up plan in case of an emergency?; are you comfortable with their emergency plan?; what wedding photography packages do they have?; do they shoot in color or black & white? You should ask if they have a generic schedule for each wedding (portraits before the ceremony or after), and if they are they flexible and open to suggestions. You should even ask to see a contract.
Chrystal Cienfuegos, owner of Chrystal Cienfuegos Photography, offers a natural & organic style of newborn & portrait photography in Southern California. She is passionate about telling love stories through elegant and timeless imagery that is inspired by the unique beauty of each client. She's a San Diego native and mother of two fun little ladies. Among her favorite things are Chargers football, swimming, impromptu family dance parties, wine (of course), and evening walks with her neighbors.
Pro tip: Once you get the sign and the location nailed down, it's time to concentrate on wardrobe. "Wear something you feel comfortable and confident in," says Tempe, Ariz.-based photographer Melissa Young. "I like the way long dresses and skirts work for maternity. If you have any doubts on the outfits, you may choose to seek advice from your photographer in advance, as they can give tips as to what photographs best for your body type and the location you are shooting at."
The season is upon us! Holiday cards (or Christmas cards), family photos, falling leaves, Thanksgiving and before you know it, Christmas! Yikes! So before this time of year gets too crazy, it is important to plan if you want to take your own family photos! You can take family photos any time of year! In fact, I love a good spring family photo session, but my favorite time of year is the fall and so I love to take our photos then!
In terms of wedding photos, you probably plan to hire a photographer or videographer—but what about all those amazing snaps your guests are going to take? Creating a wedding hashtag can help you locate some pics on social media, but it can't capture all the photos your great aunt Edna and Internet-shy cousins took too. And you want to see every. Single. Picture. Right? Here are some programs and technologies out there that can help you gather all the photographic goods.
Get dressed up! And schedule ample time for the shoot. We usually make it the only thing on our schedule for the morning or afternoon, and don’t have anywhere else to rush off to. Often it takes a lot longer than you expect for everyone to get ready, to go and find the perfect spot (we try to figure out where we’ll shoot before the actual day, especially if we have to drive there), take all the shots, and then pack up. And by the end everyone will be a bit tired! So make your shoot a priority for the day, and you’re much more likely to get it done, and enjoy the process.
"He was wonderful working on a last minute family photo for our last Easter in the house we grew up in. Waiting for the pictures, but the couple of sneak peeks I have seen, left me impressed and very excited to see the rest. He blended in well while taking pictures of my family and helped guide us through a process that left our event uninterrupted and stress free."
With my background being in classic style studio portraiture (aka “boring”), and 25 years experience photographing portraits and weddings, I have a few tips up my sleeve for you. If you’ve never done a family or group portrait before don’t be intimidated. Be honest with the family and tell they you’re just learning, I bet they’ll be willing participants to help you out and they get some nice photos in exchange.
Thank you so much for sharing your advice! So what do you think - is it easier to pose people outside, with gorgeous backgrounds and the natural terrain/props to help you create interesting portraits, or is it easier in a studio? My business partner and I will be taking family portraits for a fundraiser (indoors, on-location) and it we will be using a backdrop. I much prefer taking photos outdoors because I feel it is easier to put people at ease and there is the option to change things up a little more. I am afraid these mini-session portraits will be boring. I'd love to hear some studio posing tips geared toward family photos if anyone is willing to share them.
Great shots. What I've been struggling with recently is the balance between only release your best shots and how many I should deliver as proofs to a client ( along with what the concept of a proof is ). Whilst each of the examples above is a single shot I betting there were many more to choose from as an output from each session. Many of my portrait shoots are around 45 mins to a bit over an hour and in that time I will take a range of head, mid body and full length shots along with various groups. My last session took a bit over one hour with a family of 5 and resulted in around 200 pics ( a good number of which were burst mode of kids jumping off Walls ). I selected a fair range of around 60-70 pics and did some basic proof edit cropping and light balancing, the standard stuff and delivered a disc to the client. As I am starting out my model is to deliver a disc to the client rather than sell prints I don't have that bandwidth just yet and I price accordingly with that in mind. I've had some interesting conversations since that made me think I should have delivered fewer pics ( maybe 1 or 2 of each pose ) which would have meant a delivery set of about 30 pics. So what is the right balance ?